Original Violin & Keyboard Works for Classical Music Lovers
Original Violin & Keyboard Works for Classical Music Lovers
Original Violin & Keyboard Works for Classical Music Lovers
Original Violin & Keyboard Works for Classical Music Lovers

Original Violin & Keyboard Works for Classical Music Lovers

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Description

Born in Weimar, Carl Philipp Emanuel (1714-88) was the fifth child and second surviving son of JS Bach and his first wife Maria Barbara. By his own account he had no other teacher for composition and keyboard except his father. Nevertheless, the majority of Emanuel's earliest works owe more to the influence of Telemann and other exponents of the new galant style, while already suggesting his own progressive instinct. At the age of twenty-four, after seven years studying law, Emanuel decided to devote himself to music. In 1738 he accepted the position of keyboard player at the court of the Prussian crown prince - the future Frederick the Great. After nearly thirty years of royal service he left Berlin and moved to Hamburg, where he occupied the positions of Music Director and Cantor until his death. Described by the Guardian as a performer of "fearless intensity", former ECHO Rising Star Tamsin Waley-Cohen has established herself as one of the most insightful and versatile young British violinists. Described by The Daily Telegraph as 'in a class of his own' James Baillieu has been the prize-winner of the Wigmore Hall Song Competition, Das Lied International Song Competition, Kathleen Ferrier and Richard Tauber Competitions.

Reviews

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- Verified Buyer
I think I now have eight CDs of Tamsin Waley-Cohen's glorious violin playing. She has that rare quality of making one feel instantly that it's only about the music and not about her, with any technical challenges apparently evaporating. I was a bit surprised to see her venturing this early in the repertoire - she's more normally at home in the early 20th century - but she clearly adores it. I share her fascination at C P E Bach's role in the transition from Baroque to Classical - these discs make intriguing hearing for that reason alone.The music however is more about the keyboard part than the violin, so it's critical that James Baillieu is equally natural at delivering the keyboard contribution. These days one is so often pressured by purists into listening to supposedly authentic instruments that it is a surprise to hear a modern grand piano. I am not ashamed to say I love Baillieu's contribution. His fingerwork is nimbly adept and he and Waley-Cohen duet as though they had done so all their lives.All told a fine set of discs, constantly a joy to hear and of real interest as music bridging from Baroque to Classical.
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